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Walter Johannes Damrosch (January 30, 1862 – December 22, 1950) was a German-born American conductor and composer.〔(【引用サイトリンク】title=Alexander Street Press Authorization | Walter Damrosch: ''North American Theatre Online'' )〕 He is best remembered today as long-time director of the New York Symphony Orchestra and for conducting the world premiere performances of George Gershwin's ''Piano Concerto in F'' (1925), and ''An American in Paris'' (1928). == Life and career == Damrosch was born in Breslau, Silesia, a son of Helene von Heimburg, a former opera singer, and the conductor Leopold Damrosch, and brother of conductor Frank Damrosch and music teacher Clara Mannes. His parents were Lutheran (his paternal grandfather was Jewish). He exhibited an interest in music at an early age and was instructed by his father in harmony and also studied under Wilhelm Albert Rischbieter and Felix Draeseke at the Dresden Conservatory. He emigrated with his parents in 1871 to the United States. During the great music festival given by his father in May 1881, he first acted as conductor in drilling several sections of the large chorus, one in New York City, and another in Newark, New Jersey. The latter, consisting chiefly of members of the Harmonic Society, elected him to be their conductor. During this time a series of concerts was given in which such works as Anton Rubinstein's ''Tower of Babel'', Hector Berlioz's ''La damnation de Faust'', and Giuseppe Verdi's ''Requiem'' were performed. He was then only 19 years of age, but showed marked ability in drilling large masses. In 1884, when his father initiated a run of all-German opera at the Metropolitan Opera in New York, Walter was made an assistant conductor. After his father's death in 1885, he held the same post under Anton Seidl and also became conductor of the Oratorio and Symphony Societies in New York. On May 17, 1890, he married Margaret Blaine (1867–1949), the daughter of American politician and presidential candidate James G. Blaine. They had four daughters. Damrosch was best known in his day as a conductor of the music of Richard Wagner and was also a pioneer in the performance of music on the radio, and as such became one of the chief popularizers of classical music in the United States. He conducted famed solo harpist Vincent Fanelli from 1908 to 1911.〔University Musical Encyclopedia. 1912, the University Society, NY.〕 At the request of General Pershing he reorganized the bands of the A.E.F. in 1918. One of his principal achievements was the successful performance of ''Parsifal'', perhaps the most difficult of Wagner's operas, for the first time in the United States, in March 1886, by the Oratorio and Symphony societies. During his visit to Europe in the summer of 1886, he was invited by the Deutsche Tonkünstler-Verein, of which Franz Liszt was president, to conduct some of his father's compositions at Sondershausen, Thuringia. Carl Goldmark's opera ''Merlin'' was produced for the first time in the United States under Damrosch's direction, at the Metropolitan Opera House, 3 January 1887. Although now remembered almost exclusively as a conductor, before his radio broadcasts Damrosch was equally well known as a composer. He composed operas based on stories such as ''The Scarlet Letter'' (1896), ''Cyrano'' (1913), and ''The Man Without a Country'' (1937). Those operas are very seldom performed now. His Wagner recordings are still widely available. He also composed songs such as the intensely dramatic ''Danny Deever''. Damrosch was the National Broadcasting Company's music director under David Sarnoff, and from 1928 to 1942, he hosted the network's ''Music Appreciation Hour'', a popular series of radio lectures on classic music aimed at students. (The show was broadcast during school hours, and teachers were provided with textbooks and worksheets by the network.) According to former ''New York Times'' critic Harold C. Schonberg in his collection ''Facing the Music'', Damrosch was notorious for making up silly lyrics for the music he discussed in order to "help" young people appreciate it, rather than letting the music speak for itself. An example: for the first movement of Franz Schubert's ''Unfinished Symphony'', the lyric went :''This is the symphony,'' :''That Schubert wrote and never finished''. Although Damrosch took an interest in music technologies, he recorded sporadically. His first recording, the prelude to Bizet's ''Carmen'', appeared in 1903 (on Columbia, with a contingent of the New York Symphony credited as the "Damrosch Orchestra"). He recorded very few extended works; the only symphony he recorded was Brahms's Second with the New York Symphony shortly before the orchestra merged with the New York Philharmonic (again for Columbia, in 1928), and he recorded the complete ballet music from the opera ''Henry VIII'' by Camille Saint-Saëns, with the National Symphony Orchestra of Washington, D.C., for RCA Victor in the early 1930s. Walter Damrosch died in New York City in 1950. Damrosch Park at Lincoln Center is named in his honor. The public school P186x The Walter J. Damrosch School in the Bronx is named after him. A collection of photographs and other items compiled by his daughter Anita is among the Special Collections of the Lovejoy Library at Southern Illinois University Edwardsville. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Walter Damrosch」の詳細全文を読む スポンサード リンク
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